The content on the screen is the promotional video of some merchants, and then some “consumers” guide the audience to use organic products. Their want to convey a message to the audience that our products are pure natural without any additives, and are healthy, advanced and luxurious. But with global pollution, are these products really healthy and pollution-free? What are the standards of organic? What message are they sending when their voices are erased? Through the corridor to the second hall is a fluorescent cage installation, white figures and plaster flowers are bound in it. The message is that people crave nature and beauty, but such products require a lot of chemical additives to bring out that beauty. The audience outside the cage, seeing white figures and plaster illuminated by blue fluorescence, presents an illusory aesthetic feeling, but what is the real situation of the plants and people inside the cage? What we want to show is the binding relationship between a chemical agent and nature, man’s quest for perfection.
Finally, there is a reprocessed forest in the exhibition hall. People take the natural forest as the basis of the product and reprocess it into a new organic product. The cube appearance reflects the man-made traces. The installation, along with the white figures, is enclosed in one glass display case after another and presented to the audience like a commodity. It shows that natural products are reprocessed by people into a kind of commodity and redefined as organic products.
